I decided to walk to the end of the island.
It’s funny I had never thought of doing this before. Happy with the idea of being able to see the beautiful views of Orkney through my window, or equally happy to get in the car and drive to a scenic spot, I hadn’t ever considered walking out of the front door and continuing.
There is one road that goes through Burray. It curves all the way round the island and if you’re in a car shoots off to one of the two neighbouring islands in the archipelago. But if you’re on foot the road doesn’t have to curve, and it doesn’t remain a main road either. It turns into a single track and goes on straight over a very low undulating hill.
I had a dog with me so I felt there was more purpose to my walk, although I’m sure if you were a seasoned rambler you wouldn’t think twice about it. Walking a dog gets me out of awkward situations, like standing aimlessly outside a person’s garden as they hang their washing on the line. I can’t help worrying that if I didn’t have a dog the residents would think, ‘What is she doing up here?’
The rustle of my waterproof jacket and the clink of ROLO’s nametag on her collar added rhythm to my momentum.
As you walk further away from the main road and the pier, the sights and sounds fall away too. You start straining to look at things in the distance. The cluster of houses on the opposite island, South Ronaldsay, look like a quaint fishing village from a time of sepia photographs. The number of telegraph poles lessen until you look up and spot a single one with four thick wires, each extending to a lone house.
The old houses are bungalows. Low and squat to the ground to withstand the battering wind. There are barely any trees in Orkney, so there’s nothing to break the horizon when you take in the scenery with a sweeping gaze. Flat as a pebble. I can clearly see the hills of Orphir on the mainland as if I were looking through a telescope. Picking out details like walking trails and telephone masts – or am I making it up and my eyes are filling in the blanks of the maroon dark hills.
Unused to seeing anything that far away I begin to doubt what’s real.
There is nothing between sea and sky apart from us.
You’d think the breath-taking views are the thing that takes your breath away. It’s not. It’s the quiet. I stop walking and it’s totally quiet – so I stop breathing. A seagull glides in the air and falls back, like a film that’s dropped its decibels down to zero to add weight to its frames.
When a bird chirrups it’s like a phone ringing.
When a cow moos it’s like a dinner gong.
Suddenly you’re aware you are breathing and it’s the loudest thing on earth.
The wind stopped for a second and I was engulfed by my own sound, the rushing of blood and body heat to a degree which makes me think I am never sensationally aware of my existence. It’s shocking. I braced myself; I missed the banal buzz of beings; clung onto the sound of the city for safety, but it felt goddam sacred too.
I plodded on escaping from the sound of myself into the wind and up hill, hell bent on reaching the end of the island. Maybe I would see a selkie? I got up the gravel path but was impeded by a tractor parked at the end where a big man was getting out of its cab.
The farmer had stopped beside a field where another man was strolling towards him. They both looked similar. Big rubber boots, heavyset bodies, sweat-browned faces, dried mud mingled with hay on their trousers. They looked weather-worn and comfortable.
The man who’d left his tractor sidled up to the fence where his friend now stood leaning over it with both arms. I turned and headed back catching their opening conversation, which chimed through the silence at the far edges of this island.
- I’d thought you’d died. You’ve growan a beerd an’ evry’in.
- Aye.