Sunday 12 July 2020

Tanabata 七夕

I celebrated Tanabata at home in South London, with my new housemates.


This is a traditional Japanese summer festival which is connected to the stars. Legend goes that there is a weaver and a cowherd up in the Heavens who fall in love. But because they fall in love so deeply, they abandon their duties. The sacred silk stops being woven and the cattle wander all over the place. The god who oversees Heaven is pretty angry, so he splits the lovers apart by the Milky Way. Now, only once a year on Tanabata are the couple allowed to meet at the stellar river. To aid them, a flock of magpies appear to create a bridge for them to cross and meet.

It’s a pretty sweet story and has a relation to the stars in our actual galaxy: Altair and Vega. These are part of the summer triangle, which are the brightest stars you can see in the northern hemisphere at this time of year. When the two stars become brightest it means that it is the height of summer, and if you are able to look at them during a dark night sky – in between Vega (the brightest of the two stars and the weaver) and Altair (cowherd) you can distinguish the Milky Way.

On Tanabata, one of the things we do is write wishes on colourful strips of paper called tanzaku, then hang them from a bamboo tree. Here is the emoji to prove it 🎋 You can wish for anything really, like passing your driving test or world peace. Whatever you want. I made somen noodles for dinner, which are thin and white and symbolise the Milky Way, while Simon fried tempura. The best combination is the crunchy fried-ness of the vegetables, dipped in the light noodle broth.

I told Obaachan about me celebrating Tanabata with friends in London. She told me that when she was a girl, she remembers her father going out on Tanabata to gather very long reeds from the river. He would sit on their front porch and wind the reeds around each other. She remembers he would weave out of the reeds two horses, then face them towards each other and bind them together with bamboo. On Tanabata he would release the two horses on to the river for them to be carried away by the water.

‘Why did he do that?’ I asked.
Obaachan makes a hmmmm sort of noise, as if both recalling and trying to work it out.
‘I wonder? It was probably something to do with the region.’ She grins, ‘They were really good horses though.’



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