Time is manifold

Do you ever have memories that surface up from the depths? 

I woke up quietly, naturally to sunlight peeking in through the blinds. I went downstairs and could tell that the world hadn’t woken up yet, no noise of traffic filtering in through my front window. In a daze I went and lay down on some cushions, then my scruffy brown dog came padding over to lie beside me. The sky was a perfect pale blue. The temperature was mild like an un-buttoned shirt shrug, though I could sense outside was blustery, as if we were on the shores of a beach.

A memory of Orkney welled up from somewhere within; of when I was a child before anyone had mobile telephones. Isn’t it strange that I would remember the detail of something absent? Nowadays, on a workday, in fact every day, the moment I wake up I check my phone. It’s a source of truth for me now. Who’s been in touch while I’ve been sleeping? What’s the weather going to be like this afternoon? What’s the time right now?

Back in Orkney aged seven I would wake up on my summer holidays with no knowledge of what time it was or what was going to happen that day. I’d go into the kitchen first in case Granny was up listening to Radio Orkney, or Grancha was slicing bananas for his muesli. He always did it above his bowl working a knife in one hand like he was carving wood, no need for a chopping board. I’ve remembered on this particular day I was alone in the kitchen; the first one up. 

The light through the kitchen window was twofold, it was like a luminescent blanket thrown down from the sky which brightly shimmered off the surface of the sea. Light was mixed with water and air and that was how it filtered in through my corneas. 

I looked out and everything was so present.

Every atom of the island was alive with light and although we were in 1996 it felt timeless.

Not saying that I thought these things as a child, I wasn’t aware that the Orcadian light would infiltrate my deepest memories and spill out from my pores one day in my thirties to take me back to Burray, but it did. 

This is why time is creased – not always smooth and straight going headlong in one direction, like a fine line drawn with a metallic ruler. Time like Life is as messy as The Real World. Things can remind you of things, wires can get crossed and make like a diversion on the tracks. Our consciousness can take a wrong turning and we’ll find ourself wide awake in a long-forgotten memory today. Time is manifold. 

Sam the Squid in The Selkie

My first piece of published fiction in The Selkie (www.theselkie.co.uk) called Sam the Squid can be read here

A surreal, dark story about a woman who is also a squid dealing with depression.

What I do when left to my own devices

I’m woken by a yelp. 

Groggy with the taste of gin and the sound of bass fading back into sleepy memory, I listen in bed hoping that it wasn’t my dog downstairs making that high-pitched whine. Yelps again. Yes, it was. My bones creak and I look at the alarm clock which says something like four in the morning. Admittedly it is dawn outside and she can sense these things. I hear the first birdsong through the crack in my window. I pad downstairs, open her crate door, thump back upstairs and go back to bed. 

My second awakening is more at my own pace but still I wish I had had more sleep. I open the fridge to find the coffee from yesterday, now chilled. I pour it into my blender with ice cubes, oat milk and Oreos and make myself a cup of coffee-Oreo milkshake. I scoop the delicious sludge into my mouth with a spoon and drink the dregs. 

I look through catalogues and newsletters which have been posted through our door. One is the local Borough’s newspaper; we’ve got a new mayor and they’re holding a sheep shearing demonstration next Saturday at the park which has a deer enclosure. I hadn’t known they kept sheep too – saying that I did spot a lone goat behind bars there. I flick through wines you can buy per bottle or in crates, browse seedlings and bulbs which could be planted in our unsuccessful flowerbed, and put tick marks next to natural dogs treats I’d like to buy. All the while listening to BBC World Service with their eclectic range of current affairs programs.

I stretch, I yawn, I scratch. Unload the dishwasher. Decide to take ROLO on a big, long walk as the weather has been too hot for those recently, also I went out last night leaving her alone for ages, so I owe her one. I put on an outfit worthy of a Pokémon trainer (cap, backpack, trainers) and head out towards Crossness. It’s about a 3-hour round walk barely crossing any roads, so it’s safe for ROLO to be let off-leash a lot of the time.

The grass is dry and patchy. The path is dusty and at points dotted with dried desiccated turds. Buddleia are growing up and up, and there are these small faint pink flowers on spiky stems which are buzzing with bees. (Later on, I’ll find out online that these bushes are probably Hawthorn trees). There are new residential buildings being built on brownfield sites and a train station is undergoing major maintenance works. Everything on the outskirts of London is having to be resized and reinforced for more people. We are at the point of perpetual growth.

The sun starts to come out and ROLO is panting. We sit on a bench. I give her a long drink of water and some dog treats while looking out across the Thames River where there’s a huge recycling centre on the other side with cranes and diggers shovelling mounds of rubbish. When we get home I give ROLO dog food and myself some homecooked Japanese curry with pickles. I sit outside in the sun and drink a tall glass of water with ice cubes in, enjoying the garden, which is pleasantly tranquil with all the bamboo swishing around.

I’m getting the fold-up chair at the bottom of the garden ready to have a doze in, when I notice there’s a dead pigeon behind it on the ground covered in flies. The pigeon is lying face down with its clawed feet sticking up in the air, looking like something had attempted to bury it and then gave up. The bird’s greyish blue feathers are open at the chest where I can see into its bloody cavity and discern a dark red heart within a gaping hole. 

I look at ROLO who is nonchalantly lying on the sunny patch of grass. I look back at the pigeon. Something killed it. It’s too bloody and torn up for it to have “passed away”. A fox may have dropped it. My dog still looks nonplussed as I go inside to fetch a plastic bag and some disposable gloves. I can’t be sure what happened but I’m about 60% certain that my pet killed this pigeon. I’m almost sick when I put the surprisingly dense carcass into the bag and drop it into our black bin outside. I immediately regret not double bagging it.

I go back inside and wash my hands thoroughly and go put on a quiet podcast through my Bluetooth headphones. I sit back in the chair at the bottom of the garden and peep out from under my cap. I can see a satisfying slice of blue sky and the yellow-green of the bamboo shoots. The sunshine isn’t strong, and I’ve got sunscreen on and a bottle of water on my lap. Listening to some people speaking about poetry I un-reluctantly drift off into a light sleep. Even though I’m not quite awake, I can still sense the pink sunlight behind my eyelids and I’m content.

 

Unbroken life

Everything feels the same but it’s different. Our house has had holes in the floor. Big chunks gouged out of it; rubble went in the black-top wheelie bin outside making it heavy to roll on to the street for collection. And yet, the floor is now smooth. Sanded down and varnished a rosewood colour, so that it is whole. Simply beautiful. No scarring. You wouldn’t have known we’d been through months of walking around damp wood, being careful not to tread on splinters because a mouse had chewed through a pipe (probably to sharpen its teeth) causing water damage to the woodwork beneath our feet. Having knowledge of something bad happening somewhere invisible scares me.

*

I have been on holiday to Japan. The itinerary was already planned, and we had bought our JR Passes in advance, so that we could shinkansen-hop all over the long island. Of course, I loved it, but it’s as if I’m still there – or never went there in the first place – I dreamt it all up. A few days before my flight I caught covid. They were the worst symptoms I’d ever had from the virus; it was my fourth time having it, even though I’ve been vaxxed three times already. I quarantined myself in my fiancée’s family flat in London which was empty. I ate crisps, cheese toasties and drank fluids, drifting in and out of sleep for three solid days. 

While I slept, I became covered in sweat, unbeknownst to me, so that when I awoke, I’d be lying in a puddle the shape of my own body. I would run one foot over the other and the sole would return soaked in cold water produced by me. I knew I was not well, but I had to be on that flight to Japan; there was the important death anniversary of my mother’s, which I couldn’t miss. I would wake up from my feverish sleeps in that foreign bed and doze like an inanimate thing. A slab of something half-alive, like one of the sarsen stones at Stonehenge. An unnatural blue hue was percolating through the blinds, and I could hear noises from the street, distant sirens, the shunt of trains, the soundscape of a city, and I believed for a moment before I fell back to sleep that I was in Tokyo. 

Soon enough I was. How I’d got there was a blur. I exited the airport and headed directly to a friend’s empty apartment in Tokyo, riding aboard a doll’s house aesthetic monorail with dusty pink carriage compartments. I sweated and slept in her bed too. The hue of the morning light was paler but still blue. The noise of the city dropped to a pregnant hum at nightfall, as if God the DJ had lowered the levels on the mixing board. Before I holed-up in her empty home, I had stocked up on crisps, onigiri and strawberry milk from the Seven-Eleven down the street. Days passed. I tested negative. Finally, I arrived in Japan.

It's like a fiction that I’ve visited some of these places because at the time I was sleepwalking. I would take naps at odd hours during the day. Covid made my mind foggy and I was always tired. I remember when I was in New York I was taken to a photo aura fortune teller in China Town. She took one look at my photo and said I was FOGGY: No direction, don’t know what you want, unsure of everything. I nodded like a child who'd had something explained to them they still couldn't comprehend. That was the last time I felt this foggy.

Where did we go? Kamakura with the large-scale statue of the Buddha Daibutsu, gazing serenely across the tops of tourists and buildings towards the glistening ocean. The weather turned lovely and summery, it was like July in England, but it was only April in Japan and the winds could pick and become blustery. We went to Izu Peninsula over winding roads through the verdant foothills of Mount Fuji. I peered into a bubbling pool of water, crystal clear, the colour of acrylic turquoise. Tiny fish darted to and fro across its shimmering mirror-like surface.

I remember fragments – not fully formed memories – but maybe that’s the way it is with holidays. I ate so much delicious food, there was never a moment I felt hunger. We stayed in Yamazaki and climbed a mountain where a famous battle had taken placed between the fighting samurai of feudal Japan. Up this mountain I made my first and only sighting of the uguisu (Japanese bush warbler) whose song had been following us up and down the country.

There was a daytrip to Kyoto where we met up with friends who were staying in the country for a sabbatical. My mother’s husband joined us here after having completed a walk over an ancient passageway through the mountains connecting the old capital Kyoto to Tokyo. We toasted his achievement with a clink of glasses, ‘Kampai!’ Then feasted in a brightly lit fast-food gyoza and ramen bar and drank our fill of tankards of ice-cold beer. The gyoza were pan-fried and crispy, the ramen broth salty and delicious. 

I was enjoying everything but also flagging from the virus. I held on tightly to every moment of happiness, but they would invariably melt away in my fog. Just before I fell asleep in a futon, a creeping worry would lodge itself that I’d wake up the next day in London.

*

The most unbelievable part of our trip was visiting the art island, Naoshima, set in the dazzling blue Seto Seas. To travel there we crossed a gigantic red railway bridge and caught a ferry. What can I say? My experience of the Benesse Art Site was wholly uplifting. I hadn’t expected the contemporary art to be so good.

We hired electric bicycles to explore the island, going up and down steep slopes cutting through luscious scenery. We got tickets to the Art House Project, a collection of old disused Japanese houses which had been renovated by architects in collaboration with site-specific artists, all set within a living village community. I walked into an unassuming house marked on the guide map, and inside it was as elegant as Ryoanji Temple with its famed zen garden. Huge cascading waterfall ink paintings were hung from the ceiling in a dimly lit room with lacquered floorboards, which had been polished to a shine to make it look like the surface of still water. 

We had a timed entry ticket to a place called Minamidera (the old site of a shrine) which was an artwork by the light artist James Turrell. Here I had my “Rothko Moment”. We entered a room that was pitch black. You slide your hands against the wall to feel your way to a seat, as the gentle voice of a museum guide truly guides you in. Then as a group we sat down and waited in silence. Minutes pass. There is absolutely no light. You can wave your hand in front of your face and not see where it is. The museum guide had told us all outside to turn off our phones properly (actually switched off, which I’m sure is a profound experience in itself, for some). 

We wait in silence for something to happen. After five minutes which feels like an eternity a hint of a white box appears in front of us. It is a soft white glow, like the ghost of a blank canvas floating in the near distance. The image grows stronger until we can definitely see a square of white at the end of the room. The guide re-enters the space and tells us in his sotto voice that this light has been here all along. Nothing has changed but our vision. Our perception of the space has changed but not the space itself. 

He tells us we can stand up and walk around the room now, as our eyes have adjusted, we shouldn’t fall over. We gather ourselves and wander about and walk towards the light. When I get there, I put my hand out to touch its surface but there’s nothing there. It’s pure air and I cry. The delight moves me to tears. I feel so stupid and worldly at the same time. This conceptual art has made me realise that if I just sit still and be quiet for once the world will reveal itself to me. I shall be awed. I feel shame and joy course through me, as I wipe away tears before anyone notices, even though they won’t because I’m crying inside a dark box.

*

I come back to myself in my Woolwich sitting room. Things have changed, so I must have gone away. The seasons have moved on and it’s May. The unknown plants on the windowsill have sprouted magenta pink flowers. The holes in my floor are fixed. I’ve recovered from covid, even though I’m still weakened by it. I have memories of a conceptual art island floating in the misty seas of Japan. I’ll believe that I’ve come back from a honeymoon to an unbroken life. 

The concept of sitting

I like to sit on the floor to work and write. If I was allowed to sprawl out on the floor in my office then I would but I don’t, instead I sit on a swivel chair with my legs tucked under. I like my centre of gravity being low to the ground and being able to stretch – maybe to even touch my toes.

This might be a Japanese tendency which I’ve inherited. In the not-so-distant past, every household sat on the tatami mat floor to eat their meals and watch TV. My Obaachan grew up getting up and down off the floor, she would work at her sewing machine with her legs tucked under her. 

My aunt bought her a new navy-blue armchair for the sitting room lately. It was a nice gesture because Obaachan who is ninety snoozes on her hard dining room chair every night watching television. This new armchair gave her something to feel embraced in, however, like grandmother like granddaughter; Obaachan one night toppled over the armchair and banged her head on the side of the kerosene stove, which upon impact turned itself off immediately. The boiling kettle atop the stove did not fall but teetered.

Obaachan didn’t tell her daughter (my aunt) who had bought her the armchair about what happened until a week later, feeling ashamed and silly for causing a near emergency. Her head had swollen but nothing had cracked nor bled. She now tells me she can’t go to the hairdressers anymore in case they ask questions regarding the bruise on her head.

When I found out about her accident a month later, I was mortified. She could have badly burned her face and died. Then what? 

I asked her, ‘Oh my goodness how did you fall off the chair?’

She said, ‘It was my fault for having sat in it.’

I was confused as this conversation (like all conversations with my grandmother) was happening in Japanese. 

‘I don’t understand, of course you sat in it. It’s a chair.’

‘Yes, but you’re not supposed to sit on chairs, are you? You’re meant to perch on them with your bottom.’

‘What?’

‘I tucked my legs under: I sat on it. That was the problem.’

‘Oh.’

And I realised to sit in Japanese probably does mean something different than to sit in England. All this time I’ve been sitting in London, I’ve just been perching on chairs! No wonder it felt uncomfortable. It makes me wonder if this verb “to sit” contains within it a generational difference as well as a cultural one. 

If I asked Japanese passers-by on the street what their idea of sitting means – does it have to involve a chair? Or the ground? Or can you arguably sit on both – like I had imagined it all these years; even though in my body I knew I preferred sitting on the floor; had I expanded the idea of sitting to encompass all furnishings and elements of the world one could sit on, like a tree stump or a toadstool in the case where you’re a tiny fairy?

Dance dance dance

I have been learning of late. Inexorably learning, which is why I haven’t been writing. I have been too slapped in the face by Learning New Things that I’ve not been able to write about it. I am sure everyone experiences this, in some way, sometimes your duty to [write/reflect/make sense of things] gets overtaken by your need to exist and live a normal-paced life.

I have learned of a dancer named Martha Graham who probably invented contemporary dance. She was an all-out American who was born in the Victorian era and lived through the 1960’s Free Love movement and them went on to teach the likes of Madonna. She basically lived for a century and her autobiography about dance called Blood Memory was so damn dramatic, emboldened and atavistic that I had to keep putting it down on the coffee table to take a breather.

Martha Graham dropped quotes like this, quite easily:

"A dancer dies twice — once when they stop dancing, and this first death is the more painful."

“All that is important is this one moment in movement. Make the moment important, vital, and worth living. Do not let it slip away unnoticed and unused.”

“The only sin is mediocrity.”

So, I’ve started working at a dance school. I can watch students do mid-air acrobatics and a hundred push-ups before I’ve finished my morning cup of coffee. Dancers are something else. They have honed self-discipline by working-out (they call it “conditioning”) every day, but not pushing themselves too far to avoid injury. They have hyper-spatial awareness because in a room full of swinging galloping bodies no one ever slams into one another, nor even grazes another's hair by accident. They have immense physical control because I’ve learned from watching ballet that it’s actually the slower movements which are the hardest, rather than the back flips (who’d have thought?) Not shaking when you extend a leg way above your head like some slow-motion bucking horse is the height of balletic beauty.

Energy as you enter a space

Performative qualities

Musicality

These are all new concepts to me. I just didn’t know how hard it was to become a top dancer, and as a commoner, I do think it’s crazy. You work yourself so hard and then your career is so short lived. But can you imagine being able to fling yourself in the air with abandon and to sail through it with grace? No way. 

Also, all of the classes are done with live musicians. Pianists and bongo players. When I watch a class through the studio windows the rhythm being beat out by the instruments and the stamping of the choreography is felt and seen. The musicians work with the dancers to play with tempo and carefully arrange different movements. For me it’s the closest I’ve ever come to experiencing Live Art. Living art? Because the music is materialising through the dancers’ bodies, or the dancers’ movements allow the music to take on a new life. Music and dance are inextricable, and they likely co-evolved together.

There’s a dance paradox, I think, which is that dance is universal. It’s probably the most universal physical activity. Children do it automatically when they hear something they groove to, and it’s more easy to grasp the concept of dancing than say, football. But then, if you come to a conservatoire you see dance as the most elite, peculiar and physically demanding activity people have ever done. So, what’s this disconnect between dance like we do it in our knickers in the bedroom Vs. dance as it’s shown on stage at Sadler’s Wells? 

Martha Graham

Busy busy end of the year

Even though I had the month of December off it feels like I did more in it than ever before. It was probably due to the lack of routine, which makes every experience feel novel, firing off synapses at a more rapid rate than my dull-wired brain is used to.

Therefore, I have a newfound respect for my nomad comrade friends gallivanting out there in the world, meeting new people and speaking many languages. I raise my glass to you!

I travelled to Manchester to see my friend’s play A Christmas Carol, which was a total festive treat. I was fending off a cold at the time, so I think spending a day in the cavernous cold space of the Manchester City Library with its grand oculus finished me off. I had a fever for two days and lost about two-weeks in a fug.

The best thing about this time of year is that friends who live abroad or far away come back through town. I got to host many a Christmas meal; some more successful than others. All I can say is if you intend to cook a Korean feast but omit all the chillies (due to a spice intolerance in some of the guests) then what you get is a very very salty meal. Yet we popped open about five bottles of champagne to celebrate various things I can’t remember clearly anymore.

Me and the dog went on a day trip to West London: what a charming world! My writer friend Eloise took us to a pub with a roaring open fire. When we entered there was a man reading a real newspaper with a brown speckled Dalmatian sitting calmly at his heels. I ordered a mulled wine which came to £9.50! The Fox & Pheasant could never become my local, but we can all dream.

I tagged along to a friend’s family walking tour of London. It had been organised by Una who was visiting her UK family with her American husband. The tour guide, Terry, didn’t know how to pitch his material as the majority of the walkers were familiar with London and this country’s archaic/feudal system of property/land ownership. 

I learned a lot, like how Westminster Abbey is a called a Royal Peculiar because it doesn’t belong to any parish thanks to the way the old kingdoms were sliced up in Britain. My favourite factoid was why the Australians call the English poms. It’s an abbreviation of Prisoners of Millbank (POM) as many convicts were transported to Australia in the 19th Century from this Thames riverside prison, which no longer exists.

After seeing friends and recovering from flu, I set out on an epic journey to Orkney. My family up in the beautiful remote isles hosted Christmas, and me and the dog trundled up there by train to Edinburgh > train to Aberdeen > ferry to Kirkwall. An overall journey time of 18 hours, however, the strikes and the storms did not get in the way! A Christmas miracle. 

It was a quiet time spent with books and going for walks – weather permitting. On Boxing Day as the heavy clouds rumbled across our island, I took the dog for a walk, but when we reached the crest of a hill it started to hail. The hailstones were as big as salt crystals, so I ran to a stone house and sheltered against its wall. ROLO jumped head first into a bush. I peeked at her from under my pulled down hood as we got pelleted by ice. Her small gingery tail, shivering poking out from a hedge. 

A Christmas seal sighting