Time is manifold

Do you ever have memories that surface up from the depths? 

I woke up quietly, naturally to sunlight peeking in through the blinds. I went downstairs and could tell that the world hadn’t woken up yet, no noise of traffic filtering in through my front window. In a daze I went and lay down on some cushions, then my scruffy brown dog came padding over to lie beside me. The sky was a perfect pale blue. The temperature was mild like an un-buttoned shirt shrug, though I could sense outside was blustery, as if we were on the shores of a beach.

A memory of Orkney welled up from somewhere within; of when I was a child before anyone had mobile telephones. Isn’t it strange that I would remember the detail of something absent? Nowadays, on a workday, in fact every day, the moment I wake up I check my phone. It’s a source of truth for me now. Who’s been in touch while I’ve been sleeping? What’s the weather going to be like this afternoon? What’s the time right now?

Back in Orkney aged seven I would wake up on my summer holidays with no knowledge of what time it was or what was going to happen that day. I’d go into the kitchen first in case Granny was up listening to Radio Orkney, or Grancha was slicing bananas for his muesli. He always did it above his bowl working a knife in one hand like he was carving wood, no need for a chopping board. I’ve remembered on this particular day I was alone in the kitchen; the first one up. 

The light through the kitchen window was twofold, it was like a luminescent blanket thrown down from the sky which brightly shimmered off the surface of the sea. Light was mixed with water and air and that was how it filtered in through my corneas. 

I looked out and everything was so present.

Every atom of the island was alive with light and although we were in 1996 it felt timeless.

Not saying that I thought these things as a child, I wasn’t aware that the Orcadian light would infiltrate my deepest memories and spill out from my pores one day in my thirties to take me back to Burray, but it did. 

This is why time is creased – not always smooth and straight going headlong in one direction, like a fine line drawn with a metallic ruler. Time like Life is as messy as The Real World. Things can remind you of things, wires can get crossed and make like a diversion on the tracks. Our consciousness can take a wrong turning and we’ll find ourself wide awake in a long-forgotten memory today. Time is manifold. 

Rice

In my kitchen while pottering around I put the leftover rice from the curry last night into a bowl and pour hot water over it (I don’t know where I learnt this). I think it’s an interpretation of Japanese ocha-zuké, where you pour green tea over cold rice, adding some condiments to make it into a palatable refreshing gruel. It’s to decrease waste – my Obaachan absolutely hated wasting anything – a child of The War. If there’s rice stuck to the bottom of the pan then simply add water, put it on the heat and stir. Throw in chopped cabbage, ginger, maybe a dash of soy sauce, spring onions. Why not crack an egg? Don’t you worry, I know what to do with leftover rice.

I use both hands to lift my bowl and carry it surreptitiously into our garden, tiptoeing across the patio slabs so as not to get my feet dirty. I manoeuvre onto the wicker chair and listen to the birdsong trilling. Energetic weeds push up between the slabs – they must’ve gone through a growth spurt during this hot spell – peach coloured roses droop from their stems and the lavender is buzzing. I pull my spoon around the bowl and up to my mouth to get the intense salty taste of chicken stock, the spicy tang of curry cubes and the wholesomeness of white rice.

This is the first time I’ve stayed in London over summer. My world has shrunk enormously, just like everyone else’s and eating food has become an event. Slowly my mind feels like it’s being re-wired to approach situations differently, with more time and flex, simply, the world seems more bendy.

I’ve lived here all my life and still the habits of Obaachan bubble up inside me. For an eighty-six-year-old she moves pretty fast. She might be talking to you from the kitchen, but when you reply she’s already out in the back-garden sweeping the paving stones. I can never keep track of her movements in her own home because that is her domain. Her hair is tightly permed framing her robust face like a cropped lion’s mane; she usually wears an indigo smock with a fetching owl motif over her clothes when she executes her cleaning rituals. Every morning Obaachan gets down on her hands and knees and wipes the floorboards; vacuum-cleans the carpets, both upstairs and downstairs. I caught her once, astride the bath-tub in oversized wellingtons (to stop her feet from getting wet), reaching up to the corners of the ceiling with a mop. I told her to get down carefully and never do it again. What if she were to slip and crack her head on the side of the solid stone bath? She bared her teeth and laughed at me, saying she would never do it again. As if I believed her.

I speak to my grandma every Sunday, although since lockdown it’s been more frequent – it was the best thing we did getting her a smartphone. When I see her pixelated world on my screen it reaffirms for me that another reality can exist. I see the rice-grass spun rope hanging from the kami dana (shrine) in her living room. This small wooden shrine is a house for the many gods, or kami and is positioned just below the ceiling, so when Obaachan holds up her camera phone, the kami dana floats above her head in the background. On the altar stands two vases of freshly cut leaves, a cup of water, and salt on a white porcelain dish. It’s something special that over the many earthquakes her house has endured the kami dana has never come crashing to the ground. I examine the background while talking to her and occasionally I’ll convince myself that her world and my world are not contradictory. Even though our cultures are different, I perfectly understand us.

This physical distance that’s been imposed on us is not too dissimilar from how we used to live. I only get to see her once a year – meeting only once a year isn’t enough when you’re over eighty – we both know realistically there’s not many years left. But this virus has made plans uncertain, a mental breach of something we both held so dearly, the promise of seeing each other again. Missing someone like that isn’t something you can do every day, otherwise the pull gets too strong and becomes a strain. It wears you down and you start to lose hope. So, as long as Obaachan keeps cleaning and I stick to my work… holding the bigger picture in my head, we will share a meal together again. It will be alright.

We have a rice-cooker in Japan, which Obaachan uses every day. Usually she cooks 1 gō of rice for herself (approximately 1 cup) because rice doesn’t keep, but when I’m visiting, she cooks up to 5 gō a piece. ‘Rice tastes better when you are here’, she says to me because the grains become fluffier with a greater volume of water and cooking time. A pang of pity swells inside me because I am reminded, every day she eats alone. Obaachan who is such a good storyteller, captivating us with her funny asides and character voices. Why does she have to eat alone? Because her eldest daughter emigrated to England, her younger daughter married-out to another man’s family as is the way, and her husband died.

I think about her now as I eat my rice. The two of us separated by thousands of miles – it’s not impossible – we could be eating rice at the same time. Not in the same place but in the same present performing the same actions, as in a ritual, finishing off a half-drawn circle; stirring my spoon around the bowl’s edge, tasting the sacred white rice.

Thames River Time

When we started walking the sun was up. I got us toasted sandwiches from the main coffee shop in the town centre. There’s something provincial about Woolwich and I want to be part of it. I’m gazing across the central square – while I wait for my coffee – that got done up for the Olympics, a forum with a huge television screen overlooking the concrete steps, where people are sitting. A child is creeping up behind pigeons, afraid he might actually catch one, so changes tact mid-way and runs at them screaming. Two women are chatting over a bag of corn snacks. Tracksuit bottom boy strides by flaunting a Gucci strap-bag on his hip.

You can glimpse all the movement of Woolwich, in one swoop of the eyes because of this central square. I’ve never really noticed it before because London doesn’t have town squares – apart from Trafalgar – the levelling of everyone on the same plain, people passing from side to side, like a game of tennis.

We walk towards the Thames. There is a farmer’s market in the new Woolwich Arsenal development, lined with stalls with striped tarpaulin roofs. People milling about with their dogs on leashes and holding coffee in cardboard cups; it’s not too crowded and could easily be pleasant. I notice more dogs away from the town centre, where all the city commuters live. The price of coffee steadily rises with each step you take towards the river.

There are so many un-built, part-filled flats on the riverside. There is a water-feature that’s worthy of any contemporary housing development - invisible spouts spurt water up and down in time to silent music. At night they light up in fuchsia glows, to give it an East Asian shopping mall feel. Kitsch and modern, also a deterrent for crime and rough sleepers, to cover a whole area with colourful water. Two big Alsatians play-fight amongst the spritz and look like they’re enjoying it.

If you keep walking the Thames footpath stops and you have to skirt around a warehouse complex. We made the wrong turning and found a climbing wall at a dead end. A woman in skin-tight leggings re-directs us and on the way out, we step into a gallery being set up for two artists. I'm won over by their mixed-media art – acrylic paint sandwiched between two sheets of Perspex then hung from a wooden frame by thick chains. Black ink applied with a palette knife over powdery Instagram filter backgrounds. The artists were setting up their Dark Silo exhibition, wearing pandemic face shields. One of them looked like David Hockney crossed with Garth from Wayne’s World.

The sky is filled with drizzle. We press on through streets flanked by enormous boarded-up warehouses and dilapidated civic buildings, and on to the Thames Barriers. The barriers were built in the 1970’s with an intended life-span of up to 2030. That’s only ten years from now. I wonder what the people who constructed the Thames Barriers thought life would be like today. It was a time of retro-futurism and Star Wars and that sci-fi ideal is definitely reflected in the giant curved stainless-steel structures, rising up from the riverbed like the optimistic past, which I have little connection to except through the nostalgia effect.

It’s properly raining now and we’re almost at Greenwich. There's a well-situated pub in between called the Anchor & Hope, where we stop off to have a half-pint and shandy. Music plays from a jukebox. Next to the pub is a seafood van with W-I-N-K-L-E-S painted on the side in royal blue, in old-style signage lettering. The catchy pop-beat of Maria by Blondie pulsates through the pub. Outside on the grey horizon, I can see the strange shape of the Millennium Dome with its toothpick yellow stilts, piercing up through the ground. 

The Thames is a good place to walk, it's like moving through vignettes of bygone eras, and it’s nice to forget sometimes what the day is like.

Consuming and crying

I have been crying a lot lately. Like untowardly crying. At things that don’t usually make me (or anyone stable) cry. I was reading a free magazine. Picked up unthinkingly from the vendor who shoves them in to our underarms, never making eye contact, continuously thrusting bundles until someone takes it. I take it. On the morning train - I am reading about a photography exhibition at a gallery on the Southbank, I could do that during a lunch break? A black and white portrait of a front living room, mantel shelf heavy with trophies and mascots and wallpaper peeling under colourful frames of loved ones, deceased, young, alive. An upward angle shot captures an ageing woman walking laboured to the front steps of her local church. It’s like her religious commute. Going to church religiously every Sunday for a sermon and now I am crying. Not floods. Never gushing: I cry like the robots who think they’re human in Blade Runner 2. Silently crying for no real reason standing in a packed train carriage at 8:54am.

Then the Royal Wedding took me by surprise. I was sat cross legged on the living room floor, sorting boxes of old belongings in to piles for the charity shop and then, the bin. The wedding was on in the background but my mind was engrossed in some old Adidas tracksuit bottoms, sporting stripes the colour of fire. Until this rude trumpet chorus made me look up. On the screen flared a white robed queen and the church doors were flung open, light broke out over her smile and I was crying. Again like a robot. One tear that rolls off in to the shadow cast by my right eyelid. Always the right tear-duct.

I am slowly realising that my twenties were an age of anger. I could be angry at everything! It was like a hobby that became part of my personality. I loved being vocal about stuff that didn’t matter, for example, my hatred of glass modern buildings*. Recently though, I can't muster up the vitriol and instead I am overcome by emotion. Here are inexplicable things that have made me cry in the past weeks. 

Hearing a nature podcast about the decline of moths in Britain

Catching a glimpse on ITV of the NHS Heroes Awards

Seeing a music video where an old woman with push-permed hair dances with an invisible hula-hoop

And all of these things caught me completely off-guard. I had no control over my weepy eye but I just let it happen. All Hang Out. Whatever, I don't pretend to understand why. But I cry. It has something to do with nature and the passage of time. It has something to do with feeling older and how the world carries on without you and that's fine. It doesn't matter. It has something to do with memories that don't seem to go backwards but are laid out before you, as if you have a million memories to be had but are not sure when or how it's going to happen. Uncertainty in certainty, that's likely what it is.

*I still stand by this

Some sort of manifesto

As I sit here on the stairs thinking to write, forcing each quaver in to my mouth for the crisp to dissolve or crunch away, I am struck with a sense of foreboding determination. I came home and I was so hungry but lacking the willpower to cook anything I ate two bowls of cereal, using up that extra carton of soya milk I bought by accident. Kill two birds? Not the right idiom. Like when I cocked my eyebrow in that way no one else can do apart from on the silver screen, at my friend across the pub table and pronounced, ‘So he’s quite the dark stallion.’ Meaning horse. As I crumple the yellow packet between my twisting fingers, I am doing sums in my head. I have exactly 9 hours I spend at work, 1 hour for lunch, which I completely waste doing nothing, 30% of which is eating. I bore myself eating my lunch, eating the same thing I have cooked every day for the past month now, too afraid to try something different in case it comes out horrible like that baltic curry I tried to muster (and from a jar). Either way that’s 9 hours gone. That leaves me 15 hours in a day. Now if I try to scrape back the equal amount of time I am not at work for myself i.e. to do waking, living things, then that would leave me 6 hours to fall asleep in. And that’s if I really squeeze everything I want to do in to my 9 hours, which has to, by nature, include things I don’t care about doing like putting out the bins, tapping in through commuter barriers, buying soya milk, etc. That’s not even including all the miscellaneous things I sort of want to/have to do in my play time, like answering WhatsApp threads and watching YouTube videos. 

So I pace it up the stairs.

I leave the cereal bowl behind me on the table - I’ll clean it up later - I open this laptop and start padding for words to appear on this screen (a lot like the screen I have to stare at for 9 hours at work), but that’s my bread, you know how people used to say wholesome things like earning your bread and butter to mean doing an honest day’s work? Yeah, well I don’t remember, but I still get the gist. Everyone’s got to make a living and I spend all day looking at brands. We don’t eat as much bread any more but we sure consume a lot of brands and that gave me a job, in the end, I’m grateful for our gastronomic capitalist habits in providing me with a wage. I feel like I’m writing some sort of manifesto, just so that I can get my head stuck back down to the thing that I want my head to be stuck to. And that’s write.

Inbetween Time

The only time you ever have ‘enough time’ is in between things. Such as now - while I lie flatly between duvet and throw - when I am supposed to be packing. An in between state (I am in) because I left work an hour ago to go home to pack for the very long journey tomorrow where we cross continents. Another man I know crosses oceans (going the other way round the globe).

Everyone is on the move again after the roast turkey and stuffing and gravy sandwiches. I lie flatly and think of the beauty of the way - how family will fly up to taunt and tear one down and then shoot up like a distress signal which ends in a glittering shower-burst of light - the winds picked up at night and in the day it was still. 

Orcadian landscapes have a haze they wear; the locals call it the Har. When there is no wind and the sun is lower than you could possibly paint it on the horizon the Har dissipates the sunlight and generously spreads the particles across seas and mounds making everything glow, faintly. When the wind picks up the droplets are blown clear and you’re left with hewn edges. Fragments of rock that were sleepy giants turn in to tablets. There are bird calls everywhere and the sun rises only to set - you’re right there sir - there is a certain timelessness about it all.

When I travel my body puffs up. That is when I travel internationally across time zones; that is when I am not in any time zone. Maybe it’s because the mental state of waiting (for the flight to be over) versus the physical sensation of it being day when it should be night (thus having gained a few hours out of nowhere) creates a physiological contradiction in me that makes me swell. I have no idea but time is tricksy.

And so why is it that I only feel like I have enough time in between things. Like for example, you have a meeting at 3pm but you got out early from the dentist's at 12pm so you have 3 hours to kill - you literally have it in such abundance that you need to get rid of it via murder - poor time. You think we don’t want you when you know all people want is more time, you must get such mixed messages all the time time. It must be the want for something to arrive quicker or last longer that marks the passage of time. Or gives it any meaning at all, otherwise we’d all be here in between states neither waiting nor wanting nor waning. And a warning to all layabouts like me who try to hide from time in between inner and outer layers of bedsheets fully clothed lying really pebble still - we won’t go unnoticed - time will creep up and devour us whole like a crocodile.

Eras

It was like what it was in the 90’s

                       It could have been the 60’s

                                        And it felt like our 20’s