Showing posts with label work. Show all posts
Showing posts with label work. Show all posts

Saturday, 14 March 2020

Bedz on the Rye

‘It’s no time to be making plans for a holiday Ron. You should’ve done that years ago.’ Says Antoine, who is perched on a solid pine bedframe. Ron continues to stare out of the window. ‘Anyways, not at your age, there’s this virus making its rounds like the grim reaper.’
‘Don’t be so gloomy Antoine, let an old man dream.’ Ron turns around with both hands in his pockets sticking out like paws. He has small blue peepers studded in his round, pink head and wears a beige coloured sweatshirt over cream trousers. Ron is slightly blurred at the edges, but when he puts on his reading glasses to go over the accounts, he gains a certain edge like a betting clerk.
Ron runs a shop called Bedz on the Rye and he has done so for the last twenty-seven years. He bought it off his uncle when he became ill, likely asbestos - things were different then. The market was looking up, there were loads of new families moving into the area with money to splash, everyone needed a bed. Waterbeds came into fashion for a little while, nearly did his back in carrying one into the store with Larry. After that they always drained them before moving. Nowadays everyone’s about memory-foam and low bed frames, although tighter with their budget. He doesn’t make enough business these days. Ron has to keep the shop open all hours in case somebody comes in to buy; ‘Can’t miss an opportunity and can’t compete with them online retailers.’ His beds are middle-of-the-range, affordable, no frills and he’s got Larry with the van if you want it delivered to your door.
The only regular customer he gets is Antoine who works for an old people’s home. Elderly care worker is what you call them these days, and Antoine looked after his old mum before she went, so he’s a good lad, still a bit young but who isn’t when you’re over sixty. Still no plans to retire – ‘I couldn’t afford it!’ but still with an itch to get out there, to see the world. Every day he stands at the shop window looking out, watching the street, waiting for someone to come in. Ron wonders how much longer this sort of thing can go on. Every time he takes stock of his beds and mattresses, he is reminded that he hasn’t sold enough for this quarter. At least he owns the leasehold he muses, though that must be running low too, can’t quite remember or find the energy to locate the deeds.
He never married - didn’t want to - not really. There was this one lady friend he made called Veronica. Oh, she was lovely. She had this shop a few stores down selling vintage clothing and furs, she was actually older than Ron by several years, but he daren’t ask by how much, a woman must be allowed to keep her secrets. He’d buy her coffees and croissants and take them a few doors down in the mornings, chatting while she got the place ready. Veronica had these trunk suitcases that looked like they belonged in the back of a Fiat 500 and picnic hampers, which she would open up all over the shop and delicately toss mountains of shawls and silk scarves into them, pulling out little wisps, enticing customers to reach out and buy one. Those mornings were bliss. They would talk about politics and hit records, Veronica spoke about wanting to move away and start all over again; Ron felt trepidation and excitement at the possibilities that could materialise out of thin air. It was the last time he felt young.
Drizzle started falling and it got chilly standing by the door, Ron trod lightly into his back-office, switching on the overhead heater that made a faint hum. In moments like these he wished a customer would come in to make him not dwell. She did as she set out to do. It was the summer of 2005 when Veronica closed her shop forever, selling the business to a yuppie couple who transformed it into a yoga studio. She came by to sit on one of the many bright beds for sale that day and dazzled Ron as she spoke with certainty about where she was off to and what she was going to do.
‘I’ll swim in the most beautiful crystal-clear lake in the summers and be able to buy and sell as many silks as I like.’
‘You can speak Italian can you?’
‘Capisco benissimo!’ Ron raised his eyebrows impressed and besotted. ‘You must come and visit me. Will you? Yes promise.’
What would happen if he turned over the “Open” sign to say “Closed” for a week? The shop door swings open and Antoine steps in wearing a drenched raincoat with the hood pulled over his hair, holding a blue plastic bag.
‘Do you mind it’s too rainy to walk back just yet.’
‘You know something Antoine? I’m going on holiday.’
‘Oh yes, when?’
‘Right now.’ Ron looked pleased with himself and had some colour in his cheeks for once.
‘Where to?’ Rummaging in his shopping bag.
Already Ron had put on his jacket and folded his reading glasses into their case for travel, ‘To Lake Como in Italy.’
Antoine stops and looks at him like he’s loopy, ‘You can’t you know it’s been quarantined.’
‘I don’t care about that I’m going.’ And with that, Ron gave Antoine his umbrella and switched off all the electrics in his shop and swung the sign round to say “Closed”.

Monday, 9 April 2018

Old stuff old me






I have recently been sifting through a lot of old stuff. My mum is moving house and by way of being her daughter, a lot of my old things I don’t use or think about anymore have ended up there. I emptied a cardboard box with frayed edges, scraps of old tape hanging off its corners. Squished in there amidst crumpled uniforms and a Brownies sash, was a small pencil case that had been zipped up to bursting, stuffed with what I objectively define as “bits and bobs”. A badge pin, small bit of broken wood scribbled with pencil marks, dead yellow feather, lifeless endearing lizard charms made up of microscopic beads, smelly gel pens, a ladybird pendant that doubles up as a watch. Trinkets and Talisman. 

I am supposed to be lessening the load. Of things that my mum will have to take with her to the new place, so I have to make sacrifices, I realise, but I look at these little pieces of me from when I was eleven and I can’t. I remember the feather and that bit of wood. I couldn't explain to you why they mattered or what I remember about them. But I do know them. A certain recognition you feel as with the sensation of seasons. So I keep the pencil case in tact and leave it to the side.

Then there are these textbooks. My school workbooks from Year 3 until Year 8. What am I going to do with these? Will I ever read them - no. Will anyone else ever want to read them - no. But I can’t lightly put them in the bin bag with the the old envelopes and school year planner. I am stuck. I want to get rid of things but they won’t let me! Instead, they draw me closer until I am sat in a pool of light from a cheap lamp staring down at my old work. 


MOVIES (written twice in bubble writing, twice in normal writing)

1. Space Jam
2. BFG
3. Jurassic Park
...


I list ten “movies” in total but I get the gist. My past self is listing my favourite films in order. And let me tell you, my description of Jurassic Park is nothing like Jurassic Park. I manage to list all the main characters and I am glad to say that Jeff Goldblum then, made as much of an impression on me, as he still does today. And Space Jam? That was a pretty good movie. I can still remember all the words to I Believe I Can Fly. I believe I could touch the sky. I think about it every night and day. Spread my wings and fly away. I believe I can SSSSSOAR

So. What makes me me now and me then? Am I really the same person when I have no recollection of watching the BFG, yet I still love Jurassic Park and remember Michael Jordan playing basketball against aliens? If I throw this stuff away and I forget it all, do I stop being the old me because nothing reminds me of her?

I have a job now. And in that job I get given a quarterly review, which is an assessment of your character in a professional light. I guess that’s a little bit like a school report. I have a school report open in front of me from when I was eight and it says under Listening Skills that ‘Rimika is a good pupil at listening. She always asks questions in class but in some cases, she asks too many questions about things she already knows the answers to...’ The teacher continues. And it strikes me that my line manager gave me exactly the same criticism last week; I ask too many questions to things I already know the answers to. I’m twenty-nine! How have I never taken this criticism on board?

I imagined an eight year old would be different to their thirty year old self, and seventy year old self. For one: different priorities. I am eight and I worry that my tamagotchi is dying and Olivia doesn't like me. I am twenty-nine and I worry about a flat leak and the cost of commuting. But I guess immediate thoughts play no outcome in the way you are. Because clearly I still am - very much like I was - when I was at eight. Just bigger with more money. I don’t know if this is worrying or the facts of life.

So I gather my things and place them in to piles, I throw some away and leave others to ponder over. I have a week left before they all get judged. To keep or not to keep. What about all those kids who's parents never kept anything, maybe they couldn’t, simply lack of space and time. I’m sort of lucky to have these things that remind me of a person I don’t know anymore because they morphed in to me. I’m pretty happy with things as they are so I don’t feel too bad about it. Thankfully. And that pencil case. When did I make the decision to put all my worldly treasures in to that khaki zipped sack, like Noah’s Ark adrift on a voyage until the time was right.

I remember something from my archaeology degree.

Burials and shipwrecks are what we call “closed contexts”. They remain untouched for years and years until their own civilisation forgets, and when we find them, they give us precious insight. A snapshot in time otherwise lost forever to the noise of history.







Tuesday, 29 August 2017

City poems


1.

There was a day of
Wasps,  I remember
As I walked to work
Buzzing in the bins

A Barboured old man
with a puppy dog in
his hands, the colour
Of burnt caramel

Today will be a good day
I can tell.



2.

The man with the blue tie
  glides by
The man with the pink tie
  points his finger
    at others
The man with the dry eyes
  looks tired
And, I with the wry
smile feel removed from it all



3.

The thing about all of
these things is
I cannot be bothered.

I wrap myself up in
Cotton wool and
Dive down under the covers

Sleep til light
Then do it all over again
Five days a week
Until the Sabbath

Forgetting all of what's gone
past as I dip my
Toes in to the future






Tuesday, 22 August 2017

Some sort of manifesto


As I sit here on the stairs thinking to write, forcing each quaver in to my mouth for the crisp to dissolve or crunch away, I am struck with a sense of foreboding determination. I came home and I was so hungry but lacking the willpower to cook anything I ate two bowls of cereal, using up that extra carton of soya milk I bought by accident. Kill two birds? Not the right idiom. Like when I cocked my eyebrow in that way no one else can do apart from on the silver screen, at my friend across the pub table and pronounced, ‘So he’s quite the dark stallion.’ Meaning horse. As I crumple the yellow packet between my twisting fingers, I am doing sums in my head. I have exactly 9 hours I spend at work, 1 hour for lunch, which I completely waste doing nothing, 30% of which is eating. I bore myself eating my lunch, eating the same thing I have cooked every day for the past month now, too afraid to try something different in case it comes out horrible like that baltic curry I tried to muster (and from a jar). Either way that’s 9 hours gone. That leaves me 15 hours in a day. Now if I try to scrape back the equal amount of time I am not at work for myself i.e. to do waking, living things, then that would leave me 6 hours to fall asleep in. And that’s if I really squeeze everything I want to do in to my 9 hours, which has to, by nature, include things I don’t care about doing like putting out the bins, tapping in through commuter barriers, buying soya milk, etc. That’s not even including all the miscellaneous things I sort of want to/have to do in my play time, like answering WhatsApp threads and watching YouTube videos. 

So I pace it up the stairs.


I leave the cereal bowl behind me on the table - I’ll clean it up later - I open this laptop and start padding for words to appear on this screen (a lot like the screen I have to stare at for 9 hours at work), but that’s my bread, you know how people used to say wholesome things like earning your bread and butter to mean doing an honest day’s work? Yeah, well I don’t remember, but I still get the gist. Everyone’s got to make a living and I spend all day looking at brands. We don’t eat as much bread any more but we sure consume a lot of brands and that gave me a job, in the end, I’m grateful for our gastronomic capitalist habits in providing me with a wage. I feel like I’m writing some sort of manifesto, just so that I can get my head stuck back down to the thing that I want my head to be stuck to. And that’s write.



Tuesday, 16 February 2016

Still Winter / Contemplating Displacement / Thinking of Growing Up


After Christmas you forget how long winter lasts; but it is a long, laborious, languorous time. No more falling leaves just frost then wetness that is harsh and a misery to deal with. I keep getting minor chilblains in my toes because my shoes are too thin and the heating inside buildings is too high and outside we all know it is cold. Outside. It’s out there. Where we all want to avoid, for now, until the light lasts longer and we start to stretch not huddle, shout not cusp.

People I work with are ill. I got ill but then kept on getting better to a point of getting worse again. Old age must feel the worst in the cold. I don’t know how they do it when I, in my late-twenties, feel lethargy upon waking up. Get up. I have to coax myself up and then I fall back asleep again like a flimsy blade of grass. Four alarms I have to set for myself, on Fridays I set seven because the time I have to technically be up by is 6:30 but I could push it back to 6:50. Any time past 7 is a disaster. But then again, I don’t have an active life style.

I work on a computer interacting with a cursor that floats around the screen all day. It’s all virtual anyway. Facebook’s started greeting me with ‘Good Morning’ and I can’t tell it to go away. I tap some buttons and wait for things to load or happen or both and then it becomes darker and the shadows become masses and it’s night. I go home the same way I came. I actually don’t consider this drudgery, which might sound surprising to an alien, but it's true. I want to be doing this. I picked it and worked hard to get it. But the actions really don’t imply the feeling. I don’t have to scrape my knuckles on hard surfaces to get a wage, I don’t even have to move off my squashy bum bar the times I get up to make some instant coffee. There are cats in the office and I produce comedy. What’s the big fuss in all that? Nothing. Nada. Nout.

I don’t want life to disappear though and for me to fade away. But I do want to be worn out and characterful like a familiar leather case - a doctor’s bag, a kid’s favourite satchel. The essential pair of shoes. I want to be one of those all-purpose all-weather handy things that granny couldn’t live without. Best thing since sliced bread etc. etc. I want to be creased and smudged by love, and sometimes dropped but I’m washable and sturdy, I’ll survive. There’s been talk of displacement theory around me.

Paul told me on a hangover that I was feeling this way because ‘You're paying back for all the fun that you borrowed last night.’ Borrowed, I guess, from the alcohol (fairy). It could be true. It could be true I pondered because I tend to do the same in the limited space I inhabit. I started to use a new glass recently for the water by my bed. It is a special grey glass made by Iittala. By making this change I had to move the coaster that used to lie beneath the old glass because the old glass left marks, my Iittala does not. The coaster now takes up the same space as my necklace and the two together on one surface is too crowded and so the necklace had to go. I’ve folded it in tissue paper and I will take it all the way to Richmond on a train. That particular necklace has had its time on my bedside table, I have more in other places, and I’m sure it’ll resurface some other time. And it's not forgotten just displaced by the movement of other things. A reshuffle.

Friends are the same. Ones I used to see all the time have become ones I see occasionally. Ones whom I never had the chance to see are steadily creeping their way back to me. But most notably, the ones I didn’t even know existed I see quite often now. More often than not. I check my online bank account more than I watch YouTube videos. I boil the kettle more than I open a can of beer. I sit around thinking a lot more than I do running around. All a steady shift and displacement of things. Not noticeable enough to be genuinely perturbed by, but you have an inkling later, retrospectively: a rupture.



Ash Dome by David Nash

Saturday, 23 November 2013

First Job Last Day


Worker: So, where are you off to?

Me: Urm. Nowhere in particular.

Worker: Do you have your sights set on something?

Me: Well

Worker: Where are you going?

Worker: What are you going to do?

Me: I want to… I want to write. A writer. Is that alright? I’m just you know having a break - a change of scene.

(sassy woman; mid to late 40’s walks on and off stage)

Joanna: That’s right! You can only make a change during a gap.

(shouting after her)

Me: Are you sure Joanna?

Joanna: Oh my yes. You’ve got spirit, don’t you worry.

(she stares longingly after her presence)

Worker: So any plans? Of what you’re going to do now.

Me: Urrrm

Worker: What are you going to do with your first free Monday?

Me: Oh god.

(Goes to clear away her desk and shovels pens and headphones in to her rucksack)

Me: What am I going to do without structure?

Colleague: You’re doing the right thing.

Me: Am I?

Colleague: Yes. And sometimes hon it’s difficult to do the right thing.